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CACKLEBERRIES


CACKLEBERRIES

I’m glad it didn’t try to shake hands.


Those are the words I jotted down recently knowing at the time exactly what they referred to. Key words being “at the time.” Now? Not a clue. I do know, these words followed other words, that of “jaunty poo” and “foam” of which I do remember the origin and hope to expand upon at some point. Was I perhaps glad that the jaunty poo didn’t try to shake hands? Must’ve been it.

Over

Good golly, I love breakamafast. So much in fact, it needs more syllables just to contain all the good. Made some eggs this morning similar to these from last week. A slab of grilled bread under there sops up all the yokey goodness. Something called TryMe tiger sauce- a hot sauce with a sweetish sour kinda kick finishes it off. Meow.

Stir

But first, coffee. Despite four new teas, two cinnamon and two Earl Grey (gimme all your bergamot), coffee it was. Today, at least. With cinnamon.

Docuseries

I just watched a docuseries from several years ago, The Story of Film: An Odyssey, based on a book written by film critic Mark Cousins. He chose to narrate the work as well, over fifteen hours in length. His manner of narration added much to the feel of the series- his cadence and phrasing lulled me in, though reviews listed this as having turned off quite a few viewers.


I enjoyed much of the series, my eyes opened more to how a scene is framed, an action relayed. I often notice such things, but from a reactionary standpoint. The film helped me see it more through the eyes of a director, how the scene is initially thought up and then carried out. It showed the clear progression and evolution of film, the additions of angles and light, continuity and mood, and as they developed, the new techniques employed that allowed an even better telling of story.


Most enjoyable was the coverage of threads of similarity woven throughout different film periods. This director showed such ’n’ such an element at this angle and this director then emulated it. I was familiar with some, and with others, I wanted to ask if it was an intentional ode or appropriation of sorts by the director, or merely an observation by Cousins- he sought patterns and therefore found them. Maybe a bit of both?


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